March 2020

In my case I am shut into a studio, scale model workshop, and comfortable library with a drinks cabinet. As long as the supplies hold out, I am fine. The plan to distill liquor from potato peelings and old spray-painting rags is proceeding well and the still has only gone up in flames twice. Today's Shut-in Idea comes from a photo shoot that was done last year in the studio with John Harney. He's a marine seascape photographer who is wet more often than he is dry -  and wanted a page for one of his albums of pictures  - or for one of the calendars he produces. He came up with the idea of a set-up photo of himself and all the equipment he uses for the shots. You may have seen similar photos done be fire departments, military outfits, and sports clubs. They lay themselves out in precise form as if they were a G.I. Joe or Barbie play set. The work involved is considerable as there has to be a lot of precision in the concept as well as...

Most film photographers remember the amount of attention paid to photographic copying techniques in the decades leading up to the invention of the photo-copier and then to the digital era. From the most complex Linhof and Leica apparatus to the simplest Kodak Instamatic, there was some form of copying stand, frame, or lens combination. Chapters in all photographic books - and many specific texts - were devoted to copying. Some of it was accurate and some of it was approximate. We were also presented with such delicious ideas as the silver chain that dangled from the Minox B and C cameras. It had metal nubbins at intervals to let the copyist know how far the camera was from the material to be photographed. These were ex-Latvian spy cameras adapted for the civilian gadget market. I know plenty of people who owned one but very few ever actually took pictures with them. Not even the Latvian spies...

The next chapter of the Shut-Away Saga involves finances. If yours are dire you might think of skipping the week, but bear with us. There is light and loose change at the end of the tunnel. How much is this going to cost? Well, reading this column costs you nothing - and boy, do you get value for money. But if you are going to look at the digitising business it will cost something. You'll have to look at the cost of scanners, cameras, lenses, and ancillary supplies. or consider Plan C. Ancillaries first - FVE fluid is about $25 a bottle - surgical spirits or IPA about the same, I should say. Swisspers are about $ 5 for a big pack.The slide files are under a dollar apiece if you get a pack of 100. We'll assume you have a laptop or desktop, and some hard drive storage already, so you've already paid out for that. If you opt for Plan A - the scanner - you'll be confronted with a cost of about $ 999 for the Epson V 800. More if...

I'm still here and not breaking the rules. The idea of digitising my ageing slide collection gains traction. And as we said before, there are lots of ways to do this; I mentioned Plan A - the use of a dedicated Epson flatbed scanner - Plan B - the use of a home-made slide copier and digital camera - and PlanC - hand the slides in to Camera Electronic and let us get them digitised for you. I've considered the thing from several aspects; time, trouble, and expense. We are likely to be spending  a great deal of each of these in the next few months on other things, but let's keep to the digitising right now. I experimented agains a stop clock today to see what sort of time would be required to do the thing. I looked out two identical sets of slides kept in those old sticky PVC sheets, set up a cleaning station, and started the clock. In Plan A  the slides were swabbed with FVE cleaner, cleaned off with Swisspers cotton buds, and loaded into the Epson 12-shot...

If you are currently cooped up for any reason short of embezzlement, you may be able to put your time to use digitising your slides and prints. There are lots of ways of doing this - the Epson scanners were mentioned in previous posts. If you have a V-700,800, or 900, settle down seriously and use it. If you don't have one, come see us at Camera Electronic and we'll supply one. But if you don't want to go down the scanning route - Plan A - because of costs or noise or time required, there is a Plan B. It's more trouble to set up but might prove just as do-able for you. And you may own a number of the components for it right now. The Rube Goldberg device you see in these pictures is a simple frame made of scrap MDF board that allows you to accurately position a 35mm transparency in the 2 x 2 mount every time. It suspends a standard mirrorless camera - in this case my travelling Fujifilm X-t10 camera - and a macro lens...

Just insert the safety locking pin to prevent the striker from hitting the detonator when the trembler switch is activated. Unless you are working on the Typ 15, in which case you need to put the de-gaussing wire around the entire casing before unscrewing the cover. Or let your assistant do it while you watch from the other side of the football oval. I've lost the instructions for the Epson V700 scanner, but I'll bet they can be downloaded from the net. New purchasers of the V800 and V900 series scanners will get a pretty comprehensive booklet in the box and it pays to read all the divisions - there may be things you'll want to do differently later. But following advice and directions has sometimes led to getting to the wrong destination. Take the example of the colour slides seen on the heading image. From a honeymoon trip to Sweden in 1973, taken on a Leica M2, using Agfachrome CT18 film. Then stored according to all the best advice of that day - vertical hangers in a dry, cool place. And the...

Said the Government. And two weeks it will be - self isolating to keep company with someone who's flying in from overseas. I have laid in stocks of canned soup and two-minute noodles and the Tuna Surprise will startle everyone. On the photographic side, This is precisely the time when the digital revolution shines - it is an opportunity for someone separated from the shops and the studio to go into the archives and finally do what I have been promising myself  for years: Scan the colour slides. They'll need a clean with some film cleaner and a blower brush, and the dreadful old Agfachrome CT 18's will never look good anyway...

Watch the stores these coming weeks as people are panicked into buying things in fear of a viral quarantine. Note the social media as it fans the flames. Watch as silly things creep into the equation; buy up twenty years supply of socks in case no-one ever shears a sheep again...

I attended a rather pleasant do last night put on by C.C.Kennedy and Camera Electronic at the Oxford Hotel. It was to introduce the Sigma FP camera to Western Australia. I had already been privileged to play with this camera in the Stirling Street shop some time ago - see our weblog column of the 21st of November, 2019 - and I thought it a very novel and exciting still camera. I was right and wrong at the same time. The real forte of this camera would appear to be video work - at least that was the impression gained from last night's show. Perhaps I should amend that to fortissimo - for that is the F part of the name. The P stands for pianissimo. The basic idea is the biggest performance from the smallest space, and in this I think Sigma have succeeded. Of course it is no surprise to find an innovative product coming from this firm - they make everything they sell in Japan and even go so far as to make their own magnesium metal for the...