Lenses Tag

Simply because the Zeiss people have tried their hand at taking macro and close-up pictures. And they have found out what happens when you set an AF mechanism to work close-to. What happens is a perfect storm of confusion - right there in your hand. You can confirm this is you have a macro lens that has an AF mechanism incorporated into it. Several of the makers have done this , both in the DSLR and mirror-less divisions. The lenses that feature AF can be extremely good performers, but in certain circumstances you will never discover it. What you will learn is a whole new vocabulary...

We primed you with a post last Friday mentioning 15% off the price of Zeiss lenses at our Murray Street store but we cleverly did not tell you the actual prices - leaving you to search out the figures on our Camera Electronic store website or turn up at Murray Street and ask the staff. Either way will eventually show you that the 15% is a substantial saving...

As a review of the new Fujifilm 50mm f:2 R WR lens I thought I would take it out of the model car studio for a change. Oh, I am sure it would do a fine job there, but the very nature of the focal length means that it would have less depth of field than the lenses already in use - and would not be the first choice. Instead, I took it to the local bird sanctuary and shot pictures from the observation platform. The first images were of the Variegated RFDS's taking off. These were snap shots - as soon as I arrived I could hear the noise begin and I had no time at all to turn the camera on, swivel, and capture the birds just taking flight. Interesting to note the speed with which the lens snapped into focus, and that with the AF point set to the lowest size. At this distance it is easy to know where to place the green AF rectangle on the Fujifilm X-Pro1 as there is little parallax to contend with.   The...

I thought I would let the boys from The Goldfisch Studio* lighting department try out their new portable on-set lights to showcase the Fujinon XF 50mm f:2 R WR lens,, They're demons for gel lighting over at Goldfisch and I must say I can't blame them. Even old actors and actresses look good if you can get enough magenta and blue on them. And the visual appeal of a silver lens like the new Fujinon comes out all the more with the play of colours. The black version of this lens would look perfect with the black Versions of the Fujifilm X- Pro2, X-T , or X-T20, but you just can't beat the combination of the chrome versions on the X-E2s or the X-T10 or X-T20. Fujifilm are one of the makers who realise that aesthetic appeal of equipment is as rewarding to some as the performance. Oh,they can try to suggest modernity and brutal professional power in their designs - and that can be a bit amusing if the design includes a lot of plastic bits - but the wisest of...