Fujifilm Tag

Today starts a week of investigation into a camera system that has flashed upon the world for what is a relatively short period of time - the Fujifilm GFX 50S. Those of you who read this column regularly and know that I am a Fujifilm user may have been wondering why it has taken this long to appear. The answer's simple; there have been numerous other reports of the camera and lenses already in the technical, fan-boy, and forum-fighter press. People can get accurate information, biased information, and outright bad manners from other sources - frequently better written than here - and there was no point in just re-transmitting it. I needed to wait until I could investigate the devices myself in my own facilities. The opportunity for this was provided by the Fujifilm people this last week...

I have been asked to apologise for making terrible puns in this column. I'm more than happy to do so as long as it does not prevent me from doing it again and again. But today's temptation is really difficult. It's not a surprise to anyone - even to me. It's the black workaday version of the graphite-silver Fujifilm X-Pro 2 we saw earlier in the year. Same beast - darker coat. Every technical thing I said last time still goes  - so nip back in the column and look at the glorious grey version as well. The difference for me is that this one gets a run with a card in it and some colourful subjects out the front. And this time I have the ability to decode the RAW file information and to tweak the files a little. I have been re-reading my book by Pfirstinger on mastering the X-Pro 1 to get a few ideas on how to deal with RAW via Lightroom CC and have implemented a number of his suggestions. In the case of the X-Pro1 and...

As a review of the new Fujifilm 50mm f:2 R WR lens I thought I would take it out of the model car studio for a change. Oh, I am sure it would do a fine job there, but the very nature of the focal length means that it would have less depth of field than the lenses already in use - and would not be the first choice. Instead, I took it to the local bird sanctuary and shot pictures from the observation platform. The first images were of the Variegated RFDS's taking off. These were snap shots - as soon as I arrived I could hear the noise begin and I had no time at all to turn the camera on, swivel, and capture the birds just taking flight. Interesting to note the speed with which the lens snapped into focus, and that with the AF point set to the lowest size. At this distance it is easy to know where to place the green AF rectangle on the Fujifilm X-Pro1 as there is little parallax to contend with.   The...