astrophotography Tag

If your camera could use a 100mm set of filters for effective light control during landscape or seascape shooting, NiSi have packaged up a holder kit to make it easy - and they have looked ahead to the conditions where you might be forced to use three filters at once with an additional circular polariser. Don't let people laugh at you for this or ask if any actual light gets in through the lens. They'll be sorry when you show them the seashore shot with a misty effect under the wooden pier pilings and the night sky above it with the Milky Way. What price their old pictures of sunsets now, eh? Apart from the one-upmanship of multiple filtration, there are valid reasons for using the kit. You may indeed have a bright sky and dim sea or land base that need equalising. You may have mountain slopes in similar tones. You might not be able to shade and blend the scene using your hat and an old cornflakes box cut apart. That's where professional filtration systems and their attendant holders come...

If you are determined, we can't stop you. Indeed, the best thing that can be done is to reach into the Sigma cabinet and pull out the 14mm f:1.8 DG HSM Art lens and let you put it on your Nikon or Canon. Then you can head out for your architecture, landscape, or astro photography and we can feel that we've done our best for you. You will not go away lightly - you'll be adding 1120 g to your burden, and if this is out bush to get the landscape or the star view, that's a significant weight. No wonder- the barrel is fully professional and there are 16 elements - three of them aspherical - inside it. You 'll be operating the aperture electro-mechanically with either mount and you'll also have a option to add a rear filter if you're using the Canon version. Quite what you can do with a filter arrangement up the front is beyond me - this is a very wide view of the universe for a full-frame camera - and the adaptation you'll need for...

People who read this column regularly are getting pretty used to the flights of fancy that sometimes occur. And they are more critical than you might think. So I don't think I will have any luck telling them that the lens in the heading image is the Paul Hamlyn part-work Built-Your-Own-Lens in 204 parts and that we have been faithfully buying the magazines every week for over a year now...

I am in an excellent position to write on this subject as I have served a long apprenticeship in the trade of buying - and in many cases I have bought junk. Like most people who have done this, there were a number of factors that entered into it: a. I have had money that was burning a hole in my pocket. b. I have felt a vague need for something. c. I have not thought sufficiently about the design of something - or the materials  - or the construction. d. I have not had any experience with the goods in question. Only the last in the list had any real validity - the rest were somewhat of a shame on me. But once having gone through the process of buying the junk, and finding out all about it, I could eliminate this in the future. Let me help you out with one little matter from our photographic accessories in the shop - the business of the cable release. In this case it will be specifically the mechanical release. Look on your camera and see if there is...

Night time. Deep in the dark woods. Dank, dripping foliage. No moon. No stars. No lights from a lonely farmhouse. No car lights. No camping torch. A black stygian abyss, devoid of comfort. And what is the Pentax K-1 photographer doing?Changing lenses. Easily.Thank you Mr. Ricoh or Mr. Pentax for finally doing what needed to be done a long time ago - putting working lights on a camera. This is a blessing for all the people who have been out in the wet bush darkness or down the back of a theatre trying to change lenses or find the controls on a camera by the light reflected off a black cat.The Pentax K-1 assist lights let you find the cable release socket, the lens release button - and the dot on the mount to align things to, and the memory card slot. You can feel the switch to turn the camera on and then the menu can light up and you are away.It sounds corny and simplistic and crude, but it really is important in dark situations to be able...

I used to think that the two most frightening words in the English language were singer-songwriter . They warned of long hours of despair and depression, generally emanating from Toronto or Seattle. We lived pretty near half-way between these two sinks and so we got our left-wing political rants and tortured love songs in stereo. I used to welcome the blizzards out on the prairies because they cut off communication.Times have changed. We no longer have to fear singer-songwriters - we have to fear creatives. Video creatives, textile creatives, image creatives, and I can accurately report...

Hop to the phone and get yourself a bargain!Jonathan Cousins from Shoot Photography Workshops has some specials for the coming Valentine's day - 20% off all photo courses if you book between now and the 14th. What could be more romantic!As well, there is a 2 for 1 offer for the following courses:Tonight's 1st Photojournalism course...