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February 2020

14 Feb

Posted at 09:44h in Blog, Dick's Rant by

This week I got to satisfy my curiosity about the light-titanium coloured Fujifilm X-Pro3 - there was one ready in the sales cabinet in Stirling Street. I popped it out and attached an XF 50mm f:2 R WR lens - one of the silver-finish models. I wanted to see how close the two light colours are. Well, not that close. The phenomenon of a silver-finish body having a different appearance from the lenses that are made to go on it is not just a Fujifilm thing. You can see it with Olympus and other cameras. My dear old Leica M2's chrome finish didn't exactly match the barrel on the 50mm collapsible Elmar back in the day either. The closest I ever saw were actually Kodak Retina Reflex cameras and some Contarex models. If you are afflicted with OCD - Obsessional Chromatic Disorder - you can always opt for plain black for both body and lens. Like Coco Chanel, you'll never be out of fashion. You decide whether the appearance is for you. Be aware that the toughened Duratect finishes are very tough indeed...

12 Feb

Posted at 08:22h in Blog, Dick's Rant by

We had 'em then but we don't have 'em now - not unless we make 'em specially. Every camera my family owned, from Grandpa Sheedy's Kodak 3A to my Mom's Brownie 620 and the family Magazine 8 Kodak had a hand strap permanently attached to the top of it. There were no lugs at the side of the cameras and no thought of a neck strap. That was reserved for the leather cases that held the cameras and accessories. It was old-fashoned, but useful. Cameras in those days ( after dinosaurs but prior to Elvis ) were special-event things. They got hauled out of the case for the family or travel record and then put back carefully. Nothing dangled around the neck - it was all hand-held. And oddly enough the cameras were lighter than the current crop of mirror-less and DSLRs that are dangling around our necks. Our increasingly sore necks...

11 Feb

Posted at 07:20h in Blog, Dick's Rant by

Is it the warm nights? The dog howling? The police cars chasing people in the street? Naw. This goes on all the time. Sleep like a log through it all. The real reason for the insomnia is the announcement in the electronic press that Fujifilm have released a new model of their X-100 series - the X-100V. I do not need a new camera. I have five Fujifilm cameras already, and 8 lenses for them. They all work well and do everything I need to do. But they are not doing it all in as compact a package, nor with such sophistication as the new X-100V. The thing has the sort of retro flair that I appreciate and the thought of taking it as the only recording instrument for a trip is very tempting. I'm no X-100 virgin. I owned an X-100 for years and grabbed it as a go-to camera on numerous occasions. The advent of the other 5 bodies gradually edged it out - particularly when I finally had to admit that the 23mm f:2 lens was brilliant at normal distances...

10 Feb

Posted at 08:48h in Blog, Dick's Rant by

Particularly if it is one of the newer finishes. The camera shop these days is becoming somewhat of a prospecting ground for surface treatments - and the student of painting ( spray or powder coat ) or plating ( nickle, chrome, or armour ) will have a lot to see. The day of the wooden camera covered in Morocco leather has nearly finished. You can probably go to London and place an order for a bespoke 5" x 4" or 8" x 10" field camera and pay for it to be leather wrapped, but I'd phone it in a few years beforehand. Likewise the art deco camera with the speed lines is just the business of artists or collectors, more's the pity. Now we have a basic choice of black plastic, black paint, black chrome or black Duratect to go with a variety of faux or real leathers and vulcanites. Sometimes the black isn't all that dark, and we start to see vague shades of bronze or brown gleaming through. It is kindly to regard these variations as elegant and deliberate, but...

07 Feb

Posted at 08:28h in Blog, Dick's Rant by

" Paint Your Wagon " with Lee Marvin and Clint Eastwood. Great movie musical from the days before they wrote lyrics using bad language. We're not dealing with beans or wagons here - we're dealing with hands - and cameras. We're also dealing with batteries, but on a speculative level. Draw up your pad of lined paper and yellow pencil and lets design. This column has suggested that some digital camera maker take the step of making a left-handed camera in the manner of Ihagee in the old Exakta days. The southpaws of the world will buy it by the millions. The righties will avoid it like the plague. But what if you made a camera that had an attachment point on either side of the central body and that took either a right or left-hand grip. You could certainly incorporate a battery in that grip - as well as a shutter button, front and back control wheel, function button, etc. The communication with the body would be by locked sliding contact much like a hot shoe does now. Make right and left-handed modules...

06 Feb

Posted at 09:34h in Newsletter by

K. FILM BACK IN STOCK Well, hooray. There is a grand array of film stocks back in the fridges at both Murray and Stirling Streets. 35,mm black and white, colour negative and colour transparency. 120 ditto. Kodak, Fujifilm, Ilford and more. No need to stint yourself or husband old supplies - get out there with your analog camera and shoot away. When the digital shooters' hard drives go up in smoke you can sit there looking at your negs and slides in their protective sheets and laugh and laugh. While they are searching for a power plug to charge up their ailing battery you can be out there shooting the sunset. And the bragging rights at the next camera club meet-up. Well...

06 Feb

Posted at 09:33h in Newsletter by

J. TRANSFER YOUR MOVIES   The writer of this newsletter is particularly interested in this item; the shop now has a service to transfer historic motion pictures to digital format. I've got Standard 8 reels taken of myself at 1-year old that are as good now as they were then - that's Kodachrome for you. But my daughter may never have seen them as out old projectors have bitten the dust. Time has come to transfer these - as well as the Puper 8 reels from the 60's and 70's to a good playable digital video format. Given the amount of movie cameras that were sold in Perth in the film era, I'll bet there are a lot of people in this position - history there unseen in their hands. Time to see it and make sure that the grandkids see it too, while you are there to explain what's going on. Come talk to us at Stirling Street or Murray Street and let's get started. You can also purchase, and start the process on our website too. Here's a list of services and pricing:...

06 Feb

Posted at 09:32h in Newsletter by

I. LEICA'S LATEST CAMERAS If ever you are disconsolate and need a small boost to your photographic mojo, we suggest you come in and buy a Leica camera and lens. It is amazing how a little thing like this can brighten up the whole day. Your new best bets for this sort of a boost are the Leica SL2 and the Leica M10- Monochrom. In a sense, they are bothe mirrorless cameras, though there are a few little mirrors in the rangefinder mechanism of the M10-Monochrom. But they do not impinge on the light path from lens to sensor. The two cameras are quite different in concept, however - the SL2 is a thoroughly modern form of mirrorless body with the L-series of lenses. It's 47.3 megapixels on a full-frame CMOS sensor and an in-body stabilisation system to fine-tune every lens. Full 4K for videographers. Full metal housing with a leather wrap. 3-button control layout. You cannot be more modern. And the Leica M10-Monochrom? Well, step back a bit with us to 1954, pick up a Leica M3 35mm film camera and a roll of...