January 2018

Some photographers are luckier than others - they get more bites at the cherry. Whether this means they break their teeth on the stone in the middle is another matter, but every good thing has a bad side. The shooters who do not get that second, third, or fourth bite are the ones in the sports, news, and wedding trades. What they see, whether it is at a car-race track, a political riot, or a church aisle is seen once, and needs to be captured at once. They can sometimes increase their chances of getting it by using a camera that will shoot quick bursts of continuous shots - they sort it out later on an editing desk, looking for the peak action moment. But even given this technical help, nearly all the successful ones will admit that there is a great deal of skill in the timing of what they do. Note: The equipment they use plays a vital role in whether or not they can actually get the one-off shot. It must be capable of fast multiple shots, as we said,...

I jumped ship some years ago from the Nikon DSLR system to the Fujifilm X system. The reasons I presented to myself were partly practical and partly fanciful - it was the sort of thing that many enthusiasts do without any really serious thinking. I thought that I was going to get a system that would give me the same images as before, but with smaller and lighter equipment. I convinced myself that it would be a good thing. The opportunity arose - I was working in the main shop at the time and Fujifilm prices were pitched at a deliberately low level to capture new business. Did I change over completely? Yes - selling out all the Nikon gear over a period of a couple of years. I invested the money obtained into new Fujifilm bodies and lenses. Did I lose some good equipment? Yes - the two D-300 camera bodies were real workhorses and the two SB 700 flashes were state-of-the-art devices that I had learned to control very well. Even the SB 600 was pretty darned sophisticated. I was getting...

I have been accused of being too narrow in my focus upon photographic equipment - basing my coverage upon my own prejudices. This is hurtful. The Flapoflex digital wet-plate camera is, and has always been, the pinnacle of engineering achievement, and I will continue to force it upon you. But I am not a mean man - I can recognise good design in the work of other manufacturers and it would be unfair not to point them out when they are discovered. Thus today's focus upon the Sony A7R. I think it's the A7r...