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17 Feb

Posted at 09:20h in Blog, Dick's Rant by

A very good question indeed, and one that needs answering before you press the button rather than after: a. How many pictures do you need to document the event? If it is a human-wave infantry attack and everyone wants to have a souvenir to send home you could be there for a week. Ditto a school or big corporate dinner. Be prepared with enough batteries, enough chargers, more batteries, a mains lead, and another battery. Be prepared with enough memory and think whether you would be wise to commit it to a multiple of cards. Not only to back up the images, but to separate them out into easily-processed batches. At the very least decide what system of numbering you'll use for the shoot; start afresh, break it into batches, or just carry on with whatever the camera is doing at the time. This latter choice can be fraught. I did just this on an interstate hot rod shoot and the camera in use clocked up to the end of its numbering sequence and decided to quit. I had no idea how to...

15 Feb

Posted at 09:21h in Blog, Dick's Rant by

Can be greater than some of the parts. Put another way, you can mix and not have to match. Let me show you. I found the following in the Murray Street show cabinets: A 17mm Zuiko f:1.8 lens. Equivalent to a 35mm lens on a full-frame. An Olympus Pen F camera body. Equivalent to any good mirrorless camera. An Olympus hand grip - equivalent to any Arca-Swiss grip for any system. Note the rails on the LHS of the camera body. Also, note the central tripod screw attachment. This grip seems not to be made in precisely black colour and I suspect it is really intended for one of the other OM-D EM camera bodies. But no matter. Bolt 'em together and you have: As good a little fighting reportage or studio camera as anyone else makes. The swinging screen at the back will have to be negotiated past the horns of the Arca-Swiss rails, but if you're fussy, you can unbolt the side rails. If you do not need to do this, those rails can be the foundation of an entire series of accessories. I...

12 Feb

Posted at 09:47h in Blog, Dick's Rant by

As soon as a ray of light bounces off a subject and hits your camera, compulsion starts. It'll either be you doing it or you suffering it. When you first start out with photography, it's all new. You want to do everything - there's a widespread compulsion to take your camera everywhere and shoot anything that passes in front of it. This is like getting a .22 rifle when you're 14 years old, except the street lights in your town will suffer less from the camera. Eventually the overall pressure starts to coalesce and become more intense in certain areas. You'll find that you like taking pictures of surfing and the ocean...

10 Feb

Posted at 09:12h in Blog, Dick's Rant by

Last week's shots of the shop's cameras behind glass were taken in the landscape mode. The camera was on the tripod or held with a flash poking out the top. But what happened if the subject was just not a horizontal one? What if I needed to do it in portrait mode? Well. I could step back to the tripod as before, but with the camera held vertically. Some tripods do this with more grace than others - come experiment yourself, but take my tip of trying a camera cradle with Arca -Swiss mounts on bottom and side and a corresponding clamp in the ball head. Changing from down to up is super-simple. There are several types on the market. Of course the people who invested in Stroboframe camera cradles many years ago could do so without even unclamping a thing...

05 Feb

Posted at 09:31h in Blog, Dick's Rant by

If you are young there is still time to mis-spend your youth by frequently billiard parlours and learning to talk slang. If you are old you are going to have to draw upon knowledge already gained. In any case, you're going to be shooting for the angles. The Leica cabinet photos were taken straight-on. This was to preserve the beautiful lines of the cameras and show the straight ones to advantage. The 90º in and out of the light sometimes caught the lens of the taking camera and sometimes showed the surrounding cabinet's illuminations. This would also happen in a museum. If we are dealing with curvier subjects we can take them from more angular positions. This means that the entry and exit of light into and out of the cabinets may not trap other reflections. The white of the lens's front element engravings may never be seen - the room lights may add their lustre but not appear as ghosts in the frame. The flash power needed to do this, however, may be much more than with the straight shot - up...

03 Feb

Posted at 10:00h in Blog, Dick's Rant by

That's a bit different from calling it Auto White Balance, but you can keep reading. It's all about what happens when you give the digital mule its head. The light meter on your digital camera ( the mule ) is a very smart part of the mechanism. It'll look at each scene you set before it and try to make it look good - decent exposure, no lost highlights or shadows, no noise. Frequently it will fail because you have overtaxed its capabilities...

01 Feb

Posted at 10:04h in Blog, Dick's Rant by

When you get to a certain age you can expect to forget things. Like your trousers. The case comes up before the magistrate in a fortnight. In the meantime I visited Stirling Street shop and forgot to take my portable tabletop setup upon which to photograph new items. Rather than admit my folly, I set about using the resources that were already there - and this put me on an experimental track to resolve an unrelated photo problem. Have you ever been in a museum shop, or display area that had things in it which you wished to photograph? Things that were behind glass in cases, and that the staff weren't about to take out for you. This would be analogous to going into CE and not opening the cabinets. Display of valuable items can be well or poorly done, and the lighting is a lottery. Herewith some thoughts on the problem: a. You need permission to take the pictures. If they say say " No " you have to abide by the rules of the premises. Some places will allow photography as...

29 Jan

Posted at 09:20h in Blog, Dick's Rant by

My name is Beulah! Not Chloe! Aaaaarrrrgh! Shouting out a name whilst in the transports of love may be all very well, but it is best to shout out the name of the person with whom you are currently entangled. Anything else and it gets violent...

27 Jan

Posted at 10:16h in Blog, Dick's Rant by

I used to be fascinated by the statue of Laocoon and his two sons being attacked by pythons - they had annoyed some Greek goddess and were crushed to death for their trouble. I'm sure there was something involving sex or politics there, as with most of mythology or commercial television. My involvement with this all ( the strangling, not the sex...