October 2016

Have you ever been bewildered by photography? I'm going to make a candid confession - I have -  many times. The first encounter with a camera that required me to set the focus, aperture, and shutter speed and then advance the film and count how many shots I'd taken was a daunting one. It was at high school and there were girls watching and I was terrified of appearing to be an amateur fool.I've conquered that fear now and have become a professional one. People consult me for fool lessons. I could fool for Australia in several fields...

We have been privileged to get the use of the Little Theatre stage while the company is resting - production of their next drama will be commencing in October. Their stage is being used for prop storage and construction at present so we could borrow it to illustrate the Mag Mod range of light shapers. Here are the ones we spoke about earlier in our weblog column:a. The basic magnetic attachment strap - fitted here to a Fujifilm EF-42 flash. Keen spotters will see the folding stand under the flash - a promotional item from a firm that used to make photographic equipment...

This is getting quite exciting - you can tell who's going to be the first in the movie queue for the new Tom Hanks movie starring him as a destroyer captain. I hope I don't get thrown out of the cinema again.Well, to business. More action camera mounts to be considered. In this case we move to more of the non-action mountings:A. The tiny tripod mount by GoPole (in store). This is one of the ancillary accessory manufacturers who has cottoned on to the standardisation of the action camera mounts. if course there are mounts from the makers of the cameras, but it never hurts to browse around the shelves for the other stuff.This mount is quite light and doubles as a small hand-hold for the cameras as well as the tripod.B. GoPole SceneLapse 360 Degree Time Lapse Device - The Rotating Mount. Now we're getting somewhere in the gadget stakes. This is a mount designed to be paired with one of the specialised functions of an action camera - the ability to shoot interval shots over  along period of time.We've all...

I suppose in today's social climate that should really read "Human The Cameras", but I am hoping that we can get through the post before the flood of protest closes down the weblog page. Here goes.The action camera craze burst upon the photographic scene like a bombshell a few years ago. Perhaps we should say- in view of what people do with them - that it burst like a ligament or a medical benefits claim. However you look at it, it has been successful in capturing the imaginations of the public. More and more of the little cameras record more and more of the world.The makers of the original  action cameras were smart designers - they came up with a mounting system that was light, stable, and easy to attach. They went further - they made it universal. This had not been done in the design field since the 1/4" tripod screw socket supplanted the 3/8" socket in most modern cameras. It far outstripped the teams who devised different lens mounts for the SLR and rangefinder cameras of the film...

This week has been a Fujifilm parade as I investigated the new X -T2 in the studio. I observed a number of useful design features about the body:a.There are two card slots separately accessible at the side of the camera. No more fumbling under a tripod mount when it comes time to change cards.b.The card compartment door is weather sealed and lockable. No more flying open when least expected.c.Bless their hearts, the Fujifilm designers have given us a tiltable LCD screen that moves to the right for vertical shots. Also up and down for waist-level shots. We can be discrete with portrait orientation and not have to try to peer sideways at the screen.d.The ISO and shutter speed dials have central locking buttons. These in their turn have grey visual flags to tell us they are up or down.e.There are two removable rubber hatches under the base of the camera - the one near the battery door is for a cable when you fit a battery-replacement adapter. The square one on the left is an escape hatch for the crew...

The new Fujifilm X-T2 is dazzling the mirrorless crowd right now, but the last two weblog columns showing the results of a studio shoot may have given the impression that it is no better than previous models. Here's where I reveal the truth - I was only looking at a small part of the picture before. There was some wiggle room there in the writing.You remember I showed little 1200 x 960 pixel images and they all looked about the same. Well have a look what happens when I go back to the main image and zero in on the motorcycle headlights.Yep. The extra division of the X-T2 sensor makes more pixels available for enlargement and the image is much, much smoother. So the advice here is to get the newer camera if you intend to blow your images up past A4 or if you need to extract small portions of them.You will also get the option of an additional film simulation setting over and above what the X-E2 or X-T1 can provide and even more compared to the X-Pro1...